References

The following selective bibliography has been created in Zotero and output in MHRA format. Other formats are available on request.

  1. Accademia Musicale Chigiana Musicologia, ed. 1990. Atti del convegno di studi ‘Domenico Scarlatti e il suo tempo’ : Siena, 2-4 sett. 1985. Chigiana 40. Olschki. 

  2. Alfreds, Mike. 2014. Different Every Night: Freeing the Actor. Nick Hern Books. 

  3. Alonso-Gómez, Miguel, Laura Alvini, and Eveline Andreani, eds. 1986. Domenico Scarlatti: 13 recherches ; à l’occasion du tricentenaire de la naissance de Domenico Scarlatti célébré à Nice lors des Premières Rencontres Internationales de Musique Ancienne ; actes du colloque international de Nice 1985. Cahiers de la Société de Musique Ancienne de Nice 1. Rencontres Internationales de Musique Ancienne, Nice. Société de Musique Ancienne de Nice. 

  4. Alvarenga, João Pedro P. d’, and Águeda Pedrero-Encabo. 2019. ‘Domenico Scarlatti in Portugal and Spain’. In The Cambridge Companion to the Harpsichord, edited by Mark Kroll. Cambridge Companions to Music. Cambridge University Press, 201-10. 

  5. Álvarez Martínez, Rosario. 1984. Obras inéditas para tecla. Sociedad Española de Musicología.

  6. Álvarez Martínez, Rosario. 1985. ‘Dos obras inéditas de Domenico Scarlatti’. Revista de Musicología 8 (1): 51–56. 

  7. Anglès, Higinio. 1948. ‘El archivo musical de la catedral de Valladolid’. Anuario musical 3: pp. 59–108.

  8. Baciero, Antonio, ed. 1978. ‘“Valladolid Sonatas” nos. 1–3’. In Nueva biblioteca española de música de teclado, vol. 3. Union Musical Española, 37-50. 

  9. Baiano, Enrico, and Marco Moiraghi. 2014. Le sonate di Domenico Scarlatti, contesto, testo, interpretazione. Libreria Musicale Italiana. 

  10. Blayney, Peter W. M. 1982. The Texts of King Lear and Their Origins. Vol. 1: Nicholas Okes and the First Quarto. New Cambridge Shakespeare Studies and Supplementary Texts Series. Cambridge University Press. 

  11. Bordas, Cristina. 2003. Catálogo de instrumentos musicales en colecciones españolas. 2 vols. Ministerio de Educación y Cultura. 

  12. Bordas, Cristina, and Rafael Marijuán. 2009. ‘El taller de un “Clavicordiero” del siglo XVIII’. In Domenico Scarlatti in Spain, edited by Luisa Morales. LEAL, 227-40, 63-67. 

  13. Boulanger, Richard. 1988. Les innovations de Domenico Scarlatti dans la technique du clavier. Société de Musicologie de Languedoc. 

  14. Boyd, Malcolm. 1986. Domenico Scarlatti–Master of Music. Weidenfeld & Nicolson. 

  15. Boyd, Malcolm. 1988. ‘Die kirchenmusik von Domenico Scarlatti’. Kirchenmusikalisches Jahrbuch 72: 117–25. 

  16. Boyd, Malcolm. 1990. ‘Scarlatti sonatas in some recently discovered Spanish sources’. Atti del convegno di studi ‘Domenico Scarlatti e il suo tempo’ : Siena, 2-4 sett. 1985, 57–67. 

  17. Boyd, Malcolm, and Juan José Carreras, eds. 1998. Music in Spain during the Eighteenth Century. Cambridge University Press. 

  18. Brauchli, Bernard, Alberto Galazzo, and Ivan Moody, eds. 2005. De clavicordio. VI. Musica Antica Magnano. 

  19. Bryant, D. 2003. ‘Neighbor-Net: An Agglomerative Method for the Construction of Phylogenetic Networks’. Molecular Biology and Evolution 21 (2): 255–65. https://doi.org/10.1093/molbev/msh018. 

  20. Choi, Seunghyun. 1974. ‘Newly Found Eighteenth-Century Manuscripts  of Domenico Scarlatti’s Sonatas and Their Relationship to Other Eighteenth- and Early Nineteenth-Century Sources’. PhD dissertation, University of Wisconsin. 

  21. Clark, Jane. 1976. ‘Domenico Scarlatti and Spanish Folk Music: A Performer’s Reappraisal’. Early Music 4 (1): 19–21. 

  22. Clark, Jane. 1985. ‘“His Own Worst Enemy.” Scarlatti: Some Unanswered Questions’. Early Music 13 (4): 542–47. 

  23. Clark, Jane. 1986. ‘La portée de l’influence andalouse chez Scarlatti’. In Domenico Scarlatti: 13 recherches, edited by Miguel Alonso-Gómez, Laura Alvini, and Eveline Andreani, vol. 1. Cahiers de la société de musique ancienne de Nice. Société de Musique Ancienne de Nice. 

  24. Cook, Nicholas. 2013. Beyond the Score: Music as Performance. Oxford University Press. 

  25. Cook, Nicholas. 2015. ‘Performing Research: Some Institutional Perspectives’. In Artistic Practice as Research in Music: Theory, Criticism, Practice, edited by Mine DoÄŸantan-Dack. Routledge, 11-32. 

  26. Cuervo, Laura. 2015. ‘El manuscrito Ayerbe: una fuente española de las sonatas de Domenico Scarlatti de mediados del siglo XVIII’. Ad Parnassum Studies 13 (25): 1–26. 

  27. Derr, Elwood. 1987. ‘Handel’s use of Scarlatti’s “Essercizi per Gravicembalo” in his opus 6’. Göttinger Händel-Beitrage 3: 170–87. 

  28. Doderer, Gerhard. 1991. ‘New aspects concerning the stay of Domenico Scarlatti at the court of King John V (1719–1727)’. In Libro di tocate per cembalo–Domenico Scarlatti, edited by Gerhard Doderer and Cremilde Rosado Fernandes. Instituto Nacional de Investigação Científica, 7-52.

  29. Dowd, William. 1986. ‘Le clavecin de Domenico Scarlatti’. In Domenico Scarlatti: 13 recherches ; à l’occasion du tricentenaire de la naissance de Domenico Scarlatti célébré à Nice lors des Premières Rencontres Internationales de Musique Ancienne ; actes du colloque international de Nice 1985, edited by Miguel Alonso-Gómez, Laura Alvini, and Eveline Andreani, vol. 1. Cahiers de la Société de Musique Ancienne de Nice. Société de Musique Ancienne de Nice, 88-95.

  30. Dufourcq, Norbert. 1957. ‘Un manuscrit de pièces de clavecin aux archives départementales de Seine-et-Oise’. XVIIe siècle 34 (March): pp. 113–15.

  31. Duron, Jean. 2010. ‘La recepción de la obra de Domenico Scarlatti en Francia’. In Sevilla y Corte. Las artes y el lustro real (1729–1733). Casa de Velázquez, 313-28.

  32. Ester-Sala, María A. 1988. ‘Un manuscrit scarlattià retrobat’. Revista musical catalana V: p. 221.

  33. Ester-Sala, María. 1989. ‘Dos sonatas de Domenico Scarlatti: un tema abierto’. Revista de Musicología 12 (2): 589–95.

  34. Ester-Sala, María A. 1992. ‘D. Scarlatti – E. Granados: noticia sobre la localización de un manuscrito de tecla extraviado’. In Livro de homenagem a Macario Santiago Kastner, edited by María Fernanda Cidrais Rodrigues, Manuel Rais, and Rui Vieira Nery. Fundação Calouste Gulbenkian.

  35. Fabris, Dinko, and Paologiovanni Maione, eds. 2020. Domenico Scarlatti: musica e storia. Turchini edizioni.

  36. Fadini, Emilia. 1986. ‘Hypothèse à propos de l’ordre des sonates dans les manuscrits vénitiens’. In Domenico Scarlatti: 13 recherches ; à l’occasion du tricentenaire de la naissance de Domenico Scarlatti célébré à Nice lors des Premières Rencontres Internationales de Musique Ancienne ; actes du colloque international de Nice 1985, edited by Miguel Alonso-Gómez, Laura Alvini, and Eveline Andreani. Société de Musique Ancienne de Nice, 43-51.

  37. Fadini, Emilia. 1990. ‘La grafia dei manoscritti scarlattiani: problemi e conservazioni’. In Atti del convegno di studi ‘Domenico Scarlatti e il suo tempo’ : Siena, 2-4 sett. 1985, edited by Accademia Musicale Chigiana Musicologia. Chigiana 40. Olschki.

  38. Fadini, Emilia. 2008. ‘Domenico Scarlatti: integrazione tra lo stile andaluso e lo stile italiano’. In Domenico Scarlatti adventures. Essays to commemorate the 250th anniversary of his death, edited by W. Dean Sutcliffe and Massimilano Sala. Ut Orpheus Edizioni.

  39. Fadini, Emilia. 2010. ‘L’influenza della música arabo-andalusa in Scarlatti: i principali criteri interpretativi’. In Domenico Scarlatti: musica e storia. Turchini edizioni.

  40. Fadini, Emilia. 2024. ‘Ósmosis entre modalidad flamenco y tonalidad en Domenico Scarlatti’. In Domenico Scarlatti Forwards and Backwards, edited by Luisa Morales. Studies in Spanish Keyboard Music 7. FIMTE.

  41. Fadini, Emilia, and Marco Moiraghi, eds. 1978. Domenico Scarlatti: sonate per clavicembalo. 10 vols. Ricordi.

  42. Gerstenberg, Walter. 1933. Die klavierkompositionen Domenico Scarlattis. G. Bosse.

  43. Gilbert, Kenneth. 1971. D. Scarlatti. Sonates. 11 vols. Heugel.

  44. Gilbert, Kenneth. 1990. ‘Riflessioni sull’ edizione del tricentenario’. In Atti del convegno di studi ‘Domenico Scarlatti e il suo tempo’ : Siena, 2-4 sett. 1985, edited by Accademia Musicale Chigiana. Chigiana 40. Olschki.

  45. González Valle, José V. 1990. ‘Fondos de música de tecla de Domenico Scarlatti conservados en el archivo capitular de Zaragoza’. Anuario musical 45: 103–16.

  46. Gustafson, Bruce, ed. 2019. The Worlds of Harpsichord and Organ. Liber Amicorum David Fuller. Festschrift 28. Pendragon Press.

  47. Gustafson, Bruce, and David Fuller. 1990. A Catalogue of French Harpsichord Music 1699–1780. Clarendon Press.

  48. Haas, Arthur. 1986. ‘La pratique de la modulation dans les sonates de Domenico Scarlatti’. In Domenico Scarlatti: 13 recherches ; à l’occasion du tricentenaire de la naissance de Domenico Scarlatti célébré à Nice lors des Premières Rencontres Internationales de Musique Ancienne ; actes du colloque international de Nice 1985, edited by Miguel Alonso-Gómez, Laura Alvini, and Eveline Andreani, vol. 1. Cahiers de la Société de Musique Ancienne de Nice. Société de Musique Ancienne de Nice, 57-62.

  49. Hackforth, Reginald, trans. 1972. Plato’s ‘Phaedrus’. Cambridge University Press.

  50. Häger-Ross, Charlotte, and Marc H. Schieber. 2000. ‘Quantifying the Independence of Human Finger Movements: Comparisons of Digits, Hands, and Movement Frequencies’. The Journal of Neuroscience 20 (22): 8542–50. https://doi.org/10.1523/JNEUROSCI.20-22-08542.2000.

  51. Hail, Christopher, and Michael O’Connor. 2017. Scarlatti Domenico: A New Look at the Keyboard Sonatas of Domenico Scarlatti for People Who Use Both Sides of Their Brain. Protean Press. http://web.archive.org/web/20140911064422/http://mysite.verizon.net/chrishail/scarlatti/index.html.

  52. Halton, Rosalind. 2010. ‘Scarlatti Father and Son: A Musical Relationship’. In Domenico Scarlatti: Musica e Storia, edited by Dinko Fabris and Paologiovanni Maione. Turchini edizioni, 1-24.

  53. Hughes-Hughes, Augustus, ed. 1909. Catalogue of Manuscript Music in the British Museum. III. British Museum.

  54. Ife, Barry. 1985. Scarlatti. Novello.

  55. Ife, B. W. 1985. ‘Verhaal-archetypen in de biografie van Domenico Scarlatti’. In Domenico Scarlatti 1685-1985. Tirade 301. Oorschot, 84-101.

  56. Ife, B. W. 2002. ‘Dutton LB1 and the Sources of Garci Sánchez de Badajoz’. In Spanish Poetry of the Golden Age: Papers of a Colloquium Held at University College Cork, edited by Stephen F. Boyd and Jo Richardson. Manchester Spanish & Portuguese Studies 12. Dept. of Spanish & Portuguese Studies, University of Manchester. https://ems.kcl.ac.uk/content/pub/b007.html#fn01.

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  58. Ife, Barry. 2020. ‘Culture wars or cultural diplomacy? The politics of Scarlatti’s Essercizi’. In ‘Cedere il passo al sogno’: l’esperienza musicale di Emilia Fadini, edited by Marco Moiraghi. Libreria Musicale Italiana, 47-58.

  59. Ife, Barry. 2023. ‘Texting Scarlatti’. Eighteenth Century Music 20 (2): 215–17. https://doi.org/10.1017/s1478570623000106.

  60. Ife, Barry, and Roy Truby, eds. 1986a. Early Spanish Keyboard Music Vol 3. The Eighteenth Century. Oxford University Press.

  61. Ife, Barry, and Roy Truby. 1986b. ‘Introduction’. In Early Spanish Keyboard Music Vol. 3. The Eighteenth Century. Oxford University Press.

  62. Ife, Barry, Jasper Van Der Klis, Jérémie Lumbroso, Marco Moiraghi, and Luisa Morales. 2024. ‘“Texting Scarlatti”: Unlocking a Standard Edition with a Digital Toolkit’. Journal of New Music Research, October 15, 259–76. https://doi.org/10.1080/09298215.2024.2408266.

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  65. Kenyon de Pascual, Beryl. 1988. ‘Domenico Scarlatti and His Son Alessandro’s Inheritance’. Music and Letters 69 (1): 23–29.

  66. Kenyon de Pascual, Beryl. 2003. ‘Diego Fernández Caparrós y sus instrumentos’. In Claves y pianos españoles: interpretación y repertorio hasta 1830, edited by Luisa Morales. Instituto de Estudios Almerienses, 101-06.

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  68. Kirkpatrick, Ralph. 1953b. Domenico Scarlatti. Sixty Sonatas. Schirmer.

  69. Kirkpatrick, Ralph. 1971. ‘Scarlatti Revisited in Parma and Venice’. Notes: The Quarterly Journal of the Music Library Association 28 (1): 5–15.

  70. Kirkpatrick, Ralph. 1973. ‘Who Wrote the Scarlatti Sonatas?–A Study in Reverse Scholarship’. Notes: The Quarterly Journal of the Music Library Association 29 (2): 426–31.

  71. Kirkpatrick, Meredith, ed. 2017. Reflections of an American Harpsichordist: Unpublished Memoirs, Essays and Lectures of Ralph Kirkpatrick. Eastman Studies in Music 140. University of Rochester Press.

  72. Koster, John. 2007. ‘Towards an Optimal Instrument: Domenico Scarlatti and the New Wave of Iberian Harpsichord Making’. Early Music 35 (4): 575–603.

  73. Koster, John. 2011. ‘A Spanish Harpsichord from Domenico Scarlatti’s Environs’. Early Music 39 (2): 245–51.

  74. Latcham, Michael. 2007a. ‘Four Eighteenth-Century Cembali’. In Five Centuries of Spanish Keyboard Music, edited by Luisa Morales. Studies in Spanish Keyboard Music 1. LEAL, 233-53.

  75. Latcham, Michael. 2007b. ‘The Twelve “clavicordios” Owned by María Barbara of Spain and the Seven “Cembali” Owned by Carlo Broschi, Known as Farinelli’. In Five Centuries of Spanish Keyboard Music, edited by Luisa Morales. Studies in Spanish Keyboard Music 1. LEAL, 255-86.

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  92. Morales, Luisa. 2019. ‘Domenico Scarlatti, Enrique Granados y el clave’. Revista de musicología 42 (1): 131–52.

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